Letters in the Greek language are not sterile symbols.
Upright, upside down with special accentuation, they were the total of 1620 symbols used in Harmony (Music in Modern Greek).
Their most important property is that each letter has a numerical value/value, each letter is a number, so by extension each word is a number. A vast knowledge locked-coded within words because of the mathematical values they have.

One of the pioneers on the subject was the greatest Pythagoras.
Numbers, shapes, harmony and stars have something in common, so respectively mathematics (numbers) geometry (shapes) harmony (music) and astrology (astir = a- without- support + natural laws governing them) were sister sciences according to Pythagoras, which in the specific order mentioned were the ladder for the evolution (=ek -to – traction, DNA) of the mind-soul towards the Creator. A Creator who created on the basis of these four sciences.
27 symbols-numbers with numerical value make up the Greek Alphabet, 3 groups of 9 symbols-numbers each group, each group adding up to 45, 450, 4,500.

In order to be able to understand the meanings of the words of the Ancient Greek language, we must first of all know something about the Greek language itself.
The Ancient Greek language is the only one that is not based on people just sitting down and agreeing to call an object “x” or “p” like all the other sterile languages of the world. The Greek language is a mathematical masterpiece that we will try to approach. The beginning of everything is the Greek alphabet itself (which of course we did not get from someone else as we will see below because de facto it is not possible).

The letters of the Greek alphabet in total were 33 as many as the vertebrae, the last 5 vertebrae (which play the role of the antenna) are directly related to the brain and correspond to the last 5 irreducible letters which only the priests knew* one of them was Sostika (or Gammadio) which in Latin became swstika and the Nazis stole it and called it Swastika. This symbol is of the life-giving Sun (Apollo), the Nazis reversed it to symbolize the opposite of the life-giving Sun, i.e. dark death. There were still some letters which in time were abolished such as the Digamma (F), Kappa (Q), Stigma (S’), Shabi (ϡ).

Pythagoras informs us about the 3 levels of the Greek language which are the following:
1. Speaking
2. Simainon (a. sign, b. simainomenon)
3. Krypton (a. intervals b. vibration c. lexarithmos d. tonarithmos)
– The first is speech
-The second is the relationship between the signal and the signifier which we will discuss below
-The third is the interval (distance & time), vibration (which awakens the brain through eigenfrequencies from the generated pulses – Pallas Athena), lexarithm (relationship of letters and words to numbers) and tonal arithmetic (relationship of letters and words to musical tones).
Each letter corresponded to a number, but also to a musical tone so letter=number=tone (musical), which shows that in our language behind the letters-words there are numbers (lexarithms) and musical tones (tonarithms).

The 4 sister sciences according to Pythagoras were:
1. Numbers (mathematics)
2. Mathematics (Mathematics, mathematics)
3. Music (Harmony)
4. Astronomy

These sciences are interconnected and lie within each other like Russian bamboos. Now combine the alphabet that encloses numbers and musical tones with these 4 sciences.

tip 1: Astronomy = astir + law, a-stir = that which is not supported, so astronomy = the universal laws governing that which is not supported anywhere, which have to do with music (harmony), shapes (geometry) numbers (mathematics) and all of this with Ether which surrounds the celestial spheres.
tip 2: Pythagoras was listening to the harmony (music) of the celestial spheres

So we are speaking a language which has to do with the flow of the universe.
The Greek language is the only one that can be used for computers because of the mathematical and musicality not only of the Alphabet-words, but also of the mathematical concepts that are generated, e.g. the word THESIS becomes: synthesis, epithesis, epithesis, katathesis, hypothesis, hypothesis, epithesis, prosthesis, anethesis, perethesis, diathesis, anti-thesis, etc. etc.
Now if we translate these words into English they are completely unrelated to each other.

That the alphabet cannot be copied from somewhere else is shown by the fact that in 2300 B.C. (according to studies by Tziropoulou and others, not 800 B.C.) Homer already has 6,500 at his disposal. 000 primary words (first person present & singular) which if we multiply them x72 which are the calls, we will get a huge number which is not the final number, because let’s not forget that the Greek language is not sterile, GENA.
If we now compare, for example, the English language which has 80,000 words of which 80% are Greek as the University of Wales informs us, and count that this sterile language evolves for 1000 years, can we effortlessly draw the conclusion that Homer receives a language which has a depth in time of 100,000 BC? 500,000 BC? Who knows…

But the ultimate proof is its very mathematics, which is not present in any other language on the planet. Let’s not even forget that the Creator uses mathematics for creation, so our language is necessarily related to the source (root-0/1). But before the “Krypton” there is the “Sign”, that is, the connection between words and their meanings.

We said earlier that foreign dialects were defined by agreement, i.e. some people agreed that this or that object would be called “X”, which makes languages sterile. So they cannot generate new words, so there is no mathematics, so they cannot describe new concepts that exist in nature, so the brain, since it cannot describe new concepts through new words, is left in the dark. Thus the neurons of the brain do not give birth to new ones, unlike those who use Greek.

How could e.g. the Englishman or the Frenchman or the X, Y with a word that has 10 meanings to describe accurately and therefore clearly a deeper meaning? Let alone the multiple aspects of it? It cannot.
So that’s why it all started here. So the signifier is the connection between the sign and the signified, meaning the word itself is created in such a way that it describes the meaning enclosed within it.

Example: the naming of the word CARYON (Walnut) comes from an observation of nature (as all words do), i.e. when two horned animals (rams, goats, etc.) tra.ck with their cranes. ata they sound the “crack” or “kar”, this sound gave the name “horn” (horn), the horn gave the name krata or kara (head) and the diminutive of this is Karyon (little head).

The carron (nut) looks amazingly like a human head and its interior like a brain. Y is the root of the verb YO (to wet) where there is Y there is a cavity (or convexity) i.e. it feminizes something, rain (liquid element) enters (feminizes) into the earth.

The musical – numerical alphabet creates musical – mathematical words which describe corresponding concepts, which come from the observation of nature, i.e. of Creation and therefore by extension of the Creator himself.

But the question is how many millennia could it have taken to create this perfect mathematical complex in which the letters are numbers and musical tones and the words, i.e. the set of numbers and musical tones, contain within them, apart from complex musical harmonies, concepts which are not at all accidental but are the result of extensive observation of nature?